From otrannounce at overtherhine.com Fri Apr 23 10:38:13 2010 From: otrannounce at overtherhine.com (Announcement list for the band Over The Rhine) Date: Fri, 23 Apr 2010 10:38:13 -0400 Subject: [OTR Announce] Over the Rhine + You: Spring 2010 UPDATE Message-ID: <8CCB109BD11A9DE-4C0-E2D6@webmail-m048.sysops.aol.com> Hello extended musical family, Might want to pour a cup of something good and settle in. You know it always takes me at least four pages to say a proper hello. Hope you are well. Many thanks to all of you who were able to join us at our recent concerts down South and beyond: many memorable moments, some very enjoyable evenings. Thank you. And thanks for letting us try out some of our new songs. We?re heading out again on Saturday for a sweet little run (KY, MN, IL, MO, IN). Hope to see you. We have some big news. Spring has come to Ohio. The grass is green, the silver maples have their leaves, our part of the earth has tilted back toward the sun, which seems to take pleasure now in drenching the house in morning light. If you stand on the porch, close your eyes, turn your face toward the sun and let it shine on your eyelids, if you breathe deeply, it feels like someone is pouring a pitcher of light directly into your soul. The birds are drunk on spring, flirting, nesting, singing. Our lone tupelo tree has new eager buds that make it look like a candelabra full of tiny green candles. My mother says if you pay attention it?s like watching the world being created all over again right in front of your eyes. Karin and I sit on the porch swing, and we often wonder aloud: Could we share this? What if we could use our little farm as a creative gathering place for the occasional outdoor concert, a songwriting workshop, a place where we could help other young artists find their way forward? Hopefully, we can continue to put the infrastructure in place for that to happen. But that?s a conversation for a different day? Yes, we are feeling adventurous. (Maybe adventure is simply paying attention to the part of you that wants to be created all over again.) We are feeling like we want to invite you along. We have some big news. For the first time ever, this coming May 17, Karin and I are planning to travel to the West Coast to make an Over the Rhine record. We are going to work with producer Joe Henry and an amazing cast of characters. We are going to make a record that we can?t quite imagine. Hopefully it will be a little bit strange and a little bit wonderful. Hopefully we will, ?Blow the seams out of the songs...? (JH) One thing for sure: We are going to be surprised. There are at least three reasons why we still want to make music: One: We believe making music has something to do with what we were put on this earth to do. If we leave our songs alone, they call to us until we come back to where we belong. When we live in the sweet spot of that calling, it gives others (you?) permission to discover the sweet spot of your own calling and live there. Two: Both Karin and I have had occasion to bury loved ones. When we put loved ones in the ground, we find that we lose interest in acquiring stuff. We know we can?t take it with us when we go. No, it?s not about acquiring, rather it?s about what we are able to leave behind. That?s what gives life meaning: doing work that you can leave behind, your personal token of gratitude to the world in return for the gift of getting to be alive in it. (We believe the opportunity to make this record with Mr. Henry has everything to do with what we will leave behind.) Three: Presence. There is a beautiful passage of scripture that made an impact on me as a child that I have never forgotten. Jesus said that if you help someone in need, someone hungry or naked or thirsty or imprisoned, if you are able to be present with them and soothe them in some way, it?s the same as if God was hungry or naked or thirsty or imprisoned and you found a way to help God. There is so much need in this beautiful broken world it can be overwhelming. Maybe the most profoundly satisfying thing about making music for the last 20 years is we have watched people invite our music to be part of the big moments of their lives ? a slow dance in the kitchen with someone who changed everything, a walk down the aisle at a wedding, a child being born... Unfortunately, big moments also occur during seasons when it feels like everything is going horribly wrong. We all need music during those dark times too ? I know I do. It?s always humbling and amazing to learn that our music can be present in those too-difficult-too-imagine times. In some small way, through our music, it feels like we get to be present too, even when that is physically impossible. We get to be there in spirit. That?s enough to keep us coming back. That and all the sex and drugs? I?m just kiddin?. One dilemma with doing something creative for a long time is it can become a bit predictable. If an artist doesn?t push forward into fresh territory, doesn?t continue to risk something, doesn?t seek out new people who can teach her something unexpected, help her find a new way into the center of it, something vital begins to atrophy. Karin and I have been writing our new songs for a good while now. I suppose many of them are understated glimpses into the people we are (so far) and the people we long to be and the difference that lies between. Songs are little holders of ideas and images and questions that we want to remember. Sometimes the songs simply gather together some particular details of our life here on the farm. The songs teach us what we care about, and on a good day surprise us. Sometimes the new songs soothe us during our own dark moments. Sometimes they try to lend a helping hand. Underneath our writing, there is a hunger and belief in possibility: the possibility that the ?best? Over the Rhine record hasn?t been made yet. The possibility that our best work is still out there waiting for us. The possibility that we can still grow? With this in mind, we asked ourselves, If we could make our next record with any producer/ally, someone who could help us record a project that we can?t quite imagine and envision (we want to be at least a little bit surprised as I?m sure you do), who would that person be? We thought of some of our favorite moments on records we had heard in the last several years. A name that quickly rose to the top of our list is songwriter and producer Joe Henry. Joe has been quietly making records (well not that quietly, he has won at least two Grammy?s) that don?t sound like other records being made in 2010. They are a little bit dark and cinematic and funky and unpredictable. It seems like he loves to help performers who have already covered a lot of miles ? people like Mavis Staples, Elvis Costello, Allen Toussaint, Solomon Burke, Louden Wainwright, Ramblin? Jack Elliot, Mose Allison ? rediscover the soul of what they do in new light. But maybe even more importantly, Joe is a fine songwriter. We were excited about the possibility of getting his perspective on the actual writing. Well, it?s always a long shot when you start at the top of your list, but to make a long (amazing) story short enough to fit into this letter, Joe has fully embraced the idea of helping us make this next Over the Rhine record. The ensuing conversation has been wonderful. We have discovered some friends in common, and I think we will discover even more common ground along the way as we discover the next chapter of the band together. We are even writing a song together that keeps us up at night in a good way. Here?s the thing: this is the point in the process where early in Over the Rhine?s career a record label would have stepped forward and offered to put up the money to make this record. The label would then have taken outright somewhere between 80-90% of all the money the record made (your money). Out of the 10-20% that was our share, they then would have reimbursed themselves all the money they advanced us to make the recording possible, plus many other costs associated with its release. (This felt sort of like paying down your mortgage after the bank had already figured out how to keep 80% of your paycheck. And then the big surprise waiting at the end: after you paid off your mortgage, they still owned your house! That is, the label, after it was all said and done, owned the record forever.) For years, most musicians went with the above, because the labels controlled distribution, and if you wanted to get your records in a record store? well, this is probably all old news to you. For much of our career, we (and countless others) tried with varying degrees of success to find creative ways around this model. It made many of us fiercely independent. We felt we had to break free, come what may. (We should mention there are good people still working at record labels, who are trying to get good music released, but unfortunately, it feels like most labels have been all but devoured from the top down?) Several years ago, Karin and I turned down several offers, cashed in all of our personal resources, found an investor to help us get started, and formed our own label, Great Speckled Dog, which we 100% own. We secured our own national distribution deal. When it comes to our music: We are now in the driver?s seat. (Our label, GSD, is named after our Great Dane Elroy, of course: Him old, but him baby.) Our first chapter with our very own Great Speckled Dog Records was the release of The Trumpet Child and Snow Angels. We learned a lot. Thanks to you, those projects supported us, and our touring ensemble, for almost 3 years. The Trumpet Child is on pace to eventually out sell any record released on our behalf by a label in the last 20 years. It has been a rare blessing, to see the audience for our music continue to steadily grow. But now we find ourselves very much at the end of an album cycle winding down. It?s time for the next step. It?s time for a new Over the Rhine record. Friends, the good news is this: In 2010, there is no middleman. It?s just us and you. So, for the first time in our career, we are simply going to appeal directly to you, the people who care about Over the Rhine?s music, and ask if you will partner directly with us in making this new record. We have a little less than four weeks to raise the money. It?s an ambitious step for us, but it feels right. Whatever funds we are able to raise will go directly to our label, Great Speckled Dog, to help take care of this new music we will make. It will be used to help cover actual recording costs, and give the songs the best send-off into the world that we can afford. (We do plan to see the record distributed nationally and internationally.) Close friends are always surprised when we begin to tally the costs involved in getting an Over the Rhine record recorded and out the door. We?ll spare you a full report, but generating a well-made thing ? it does add up. If you?re willing to help us make this record, we will offer our gratitude in all sorts of ways. (We?re not asking for something for nothing. We had a little fun and came up with a whole range of options you can grin at.) If you can spare $15 now, we?ll make sure you have your beautifully packaged CD one month before the official release date, along with a personal thank you on Over the Rhine?s website, 3 bonus tracks and a small surprise when the CD ships. We will not presume, but if you are able and willing to give way more than $15, we will gratefully accept, give you any number of special treats in return, and put the funds to good use to make this next chapter of Over the Rhine possible. We will hopefully have more than a little fun along the way. We will keep you posted. Once or twice in my life I got to see my Amish relatives get together with friends and neighbors and frame a barn on a Saturday. This doesn?t feel all that different to me. It?s always humbling to admit you need help, but if you find the courage, it creates a space for a community to come together. Maybe making this new record together is just that: An opportunity to come together to leave something behind, a little token of gratitude to the world for the gift of being alive in it. We will write our names on the music (and yours if you?re game) and let people know we were here. We tried to pour a little pitcher of light into the soul of the world. We hope you will join us. Curious? Walk down this rabbit hole to get all the details: http://www.overtherhine.com/makearecord.php Love from Nowhere, Linford and Karin PS: Karin and I will be selling a few of our worldly possessions to help make this possible, including (some vintage) musical instruments and (some vintage) recording equipment that we no longer use regularly, some of which we utilized to record past Over the Rhine projects. Stay tuned if you?d like to own a little physical piece of OtR history. PPS: Please feel free to share this e-mail with family and friends. Leave a copy on the paint-splattered oak table next to works-in-progress. Line the rows of your flower beds with its pages, cover them with 2-3 inches of mulch and keep the weeds down. Slip a copy of the letter after scrawling the words ?WHAT NEXT?!? in red ink on it into the LP jacket of The Trumpet Child as a sort of extended warning label. And finally, loosely line the Victorian birdcage with these pages edge to edge and let the white doves crap all night long. PPPS: We?ve had a heck of a time trying to keep up with e-mail. Sorry we haven?t been able to respond personally to more of you. But pls write to us! We do read all the mail. We would love to know your thoughts/ideas as we kick off the next 20 years. The address is still: otrhine at aol.com PPPPS: To manage your subscription to the Over the Rhine newsletter (or to unsubscribe from this list), please visit: http://overtherhine.com/mailman/listinfo/otrannounce_overtherhine.com Or, to unsubscribe via email, send a blank message to: otrannounce_overtherhine.com-leave at overtherhine.com From otrannounce at overtherhine.com Fri Apr 23 14:33:13 2010 From: otrannounce at overtherhine.com (Announcement list for the band Over The Rhine) Date: Fri, 23 Apr 2010 14:33:13 -0400 Subject: [OTR Announce] Over the Rhine + You: Spring 2010 UPDATE Message-ID: <8CCB12A910AE612-1704-10787@webmail-d035.sysops.aol.com> Hello extended musical family, Might want to pour a cup of something good and settle in. You know it always takes me at least four pages to say a proper hello. Hope you are well. Many thanks to all of you who were able to join us at our recent concerts down South and beyond: many memorable moments, some very enjoyable evenings. Thank you. And thanks for letting us try out some of our new songs. We?re heading out again on Saturday for a sweet little run (KY, MN, IL, MO, IN). Hope to see you. We have some big news. Spring has come to Ohio. The grass is green, the silver maples have their leaves, our part of the earth has tilted back toward the sun, which seems to take pleasure now in drenching the house in morning light. If you stand on the porch, close your eyes, turn your face toward the sun and let it shine on your eyelids, if you breathe deeply, it feels like someone is pouring a pitcher of light directly into your soul. The birds are drunk on spring, flirting, nesting, singing. Our lone tupelo tree has new eager buds that make it look like a candelabra full of tiny green candles. My mother says if you pay attention it?s like watching the world being created all over again right in front of your eyes. Karin and I sit on the porch swing, and we often wonder aloud: Could we share this? What if we could use our little farm as a creative gathering place for the occasional outdoor concert, a songwriting workshop, a place where we could help other young artists find their way forward? Hopefully, we can continue to put the infrastructure in place for that to happen. But that?s a conversation for a different day? Yes, we are feeling adventurous. (Maybe adventure is simply paying attention to the part of you that wants to be created all over again.) We are feeling like we want to invite you along. We have some big news. For the first time ever, this coming May 17, Karin and I are planning to travel to the West Coast to make an Over the Rhine record. We are going to work with producer Joe Henry and an amazing cast of characters. We are going to make a record that we can?t quite imagine. Hopefully it will be a little bit strange and a little bit wonderful. Hopefully we will, ?Blow the seams out of the songs...? (JH) One thing for sure: We are going to be surprised. There are at least three reasons why we still want to make music: One: We believe making music has something to do with what we were put on this earth to do. If we leave our songs alone, they call to us until we come back to where we belong. When we live in the sweet spot of that calling, it gives others (you?) permission to discover the sweet spot of your own calling and live there. Two: Both Karin and I have had occasion to bury loved ones. When we put loved ones in the ground, we find that we lose interest in acquiring stuff. We know we can?t take it with us when we go. No, it?s not about acquiring, rather it?s about what we are able to leave behind. That?s what gives life meaning: doing work that you can leave behind, your personal token of gratitude to the world in return for the gift of getting to be alive in it. (We believe the opportunity to make this record with Mr. Henry has everything to do with what we will leave behind.) Three: Presence. There is a beautiful passage of scripture that made an impact on me as a child that I have never forgotten. Jesus said that if you help someone in need, someone hungry or naked or thirsty or imprisoned, if you are able to be present with them and soothe them in some way, it?s the same as if God was hungry or naked or thirsty or imprisoned and you found a way to help God. There is so much need in this beautiful broken world it can be overwhelming. Maybe the most profoundly satisfying thing about making music for the last 20 years is we have watched people invite our music to be part of the big moments of their lives ? a slow dance in the kitchen with someone who changed everything, a walk down the aisle at a wedding, a child being born... Unfortunately, big moments also occur during seasons when it feels like everything is going horribly wrong. We all need music during those dark times too ? I know I do. It?s always humbling and amazing to learn that our music can be present in those too-difficult-too-imagine times. In some small way, through our music, it feels like we get to be present too, even when that is physically impossible. We get to be there in spirit. That?s enough to keep us coming back. That and all the sex and drugs? I?m just kiddin?. One dilemma with doing something creative for a long time is it can become a bit predictable. If an artist doesn?t push forward into fresh territory, doesn?t continue to risk something, doesn?t seek out new people who can teach her something unexpected, help her find a new way into the center of it, something vital begins to atrophy. Karin and I have been writing our new songs for a good while now. I suppose many of them are understated glimpses into the people we are (so far) and the people we long to be and the difference that lies between. Songs are little holders of ideas and images and questions that we want to remember. Sometimes the songs simply gather together some particular details of our life here on the farm. The songs teach us what we care about, and on a good day surprise us. Sometimes the new songs soothe us during our own dark moments. Sometimes they try to lend a helping hand. Underneath our writing, there is a hunger and belief in possibility: the possibility that the ?best? Over the Rhine record hasn?t been made yet. The possibility that our best work is still out there waiting for us. The possibility that we can still grow? With this in mind, we asked ourselves, If we could make our next record with any producer/ally, someone who could help us record a project that we can?t quite imagine and envision (we want to be at least a little bit surprised as I?m sure you do), who would that person be? We thought of some of our favorite moments on records we had heard in the last several years. A name that quickly rose to the top of our list is songwriter and producer Joe Henry. Joe has been quietly making records (well not that quietly, he has won at least two Grammy?s) that don?t sound like other records being made in 2010. They are a little bit dark and cinematic and funky and unpredictable. It seems like he loves to help performers who have already covered a lot of miles ? people like Mavis Staples, Elvis Costello, Allen Toussaint, Solomon Burke, Louden Wainwright, Ramblin? Jack Elliot, Mose Allison ? rediscover the soul of what they do in new light. But maybe even more importantly, Joe is a fine songwriter. We were excited about the possibility of getting his perspective on the actual writing. Well, it?s always a long shot when you start at the top of your list, but to make a long (amazing) story short enough to fit into this letter, Joe has fully embraced the idea of helping us make this next Over the Rhine record. The ensuing conversation has been wonderful. We have discovered some friends in common, and I think we will discover even more common ground along the way as we discover the next chapter of the band together. We are even writing a song together that keeps us up at night in a good way. Here?s the thing: this is the point in the process where early in Over the Rhine?s career a record label would have stepped forward and offered to put up the money to make this record. The label would then have taken outright somewhere between 80-90% of all the money the record made (your money). Out of the 10-20% that was our share, they then would have reimbursed themselves all the money they advanced us to make the recording possible, plus many other costs associated with its release. (This felt sort of like paying down your mortgage after the bank had already figured out how to keep 80% of your paycheck. And then the big surprise waiting at the end: after you paid off your mortgage, they still owned your house! That is, the label, after it was all said and done, owned the record forever.) For years, most musicians went with the above, because the labels controlled distribution, and if you wanted to get your records in a record store? well, this is probably all old news to you. For much of our career, we (and countless others) tried with varying degrees of success to find creative ways around this model. It made many of us fiercely independent. We felt we had to break free, come what may. (We should mention there are good people still working at record labels, who are trying to get good music released, but unfortunately, it feels like most labels have been all but devoured from the top down?) Several years ago, Karin and I turned down several offers, cashed in all of our personal resources, found an investor to help us get started, and formed our own label, Great Speckled Dog, which we 100% own. We secured our own national distribution deal. When it comes to our music: We are now in the driver?s seat. (Our label, GSD, is named after our Great Dane Elroy, of course: Him old, but him baby.) Our first chapter with our very own Great Speckled Dog Records was the release of The Trumpet Child and Snow Angels. We learned a lot. Thanks to you, those projects supported us, and our touring ensemble, for almost 3 years. The Trumpet Child is on pace to eventually out sell any record released on our behalf by a label in the last 20 years. It has been a rare blessing, to see the audience for our music continue to steadily grow. But now we find ourselves very much at the end of an album cycle winding down. It?s time for the next step. It?s time for a new Over the Rhine record. Friends, the good news is this: In 2010, there is no middleman. It?s just us and you. So, for the first time in our career, we are simply going to appeal directly to you, the people who care about Over the Rhine?s music, and ask if you will partner directly with us in making this new record. We have a little less than four weeks to raise the money. It?s an ambitious step for us, but it feels right. Whatever funds we are able to raise will go directly to our label, Great Speckled Dog, to help take care of this new music we will make. It will be used to help cover actual recording costs, and give the songs the best send-off into the world that we can afford. (We do plan to see the record distributed nationally and internationally.) Close friends are always surprised when we begin to tally the costs involved in getting an Over the Rhine record recorded and out the door. We?ll spare you a full report, but generating a well-made thing ? it does add up. If you?re willing to help us make this record, we will offer our gratitude in all sorts of ways. (We?re not asking for something for nothing. We had a little fun and came up with a whole range of options you can grin at.) If you can spare $15 now, we?ll make sure you have your beautifully packaged CD one month before the official release date, along with a personal thank you on Over the Rhine?s website, 3 bonus tracks and a small surprise when the CD ships. We will not presume, but if you are able and willing to give way more than $15, we will gratefully accept, give you any number of special treats in return, and put the funds to good use to make this next chapter of Over the Rhine possible. We will hopefully have more than a little fun along the way. We will keep you posted. Once or twice in my life I got to see my Amish relatives get together with friends and neighbors and frame a barn on a Saturday. This doesn?t feel all that different to me. It?s always humbling to admit you need help, but if you find the courage, it creates a space for a community to come together. Maybe making this new record together is just that: An opportunity to come together to leave something behind, a little token of gratitude to the world for the gift of being alive in it. We will write our names on the music (and yours if you?re game) and let people know we were here. We tried to pour a little pitcher of light into the soul of the world. We hope you will join us. Curious? Walk down this rabbit hole to get all the details: http://www.overtherhine.com/makearecord.php Love from Nowhere, Linford and Karin PS: Karin and I will be selling a few of our worldly possessions to help make this possible, including (some vintage) musical instruments and (some vintage) recording equipment that we no longer use regularly, some of which we utilized to record past Over the Rhine projects. Stay tuned if you?d like to own a little physical piece of OtR history. PPS: Please feel free to share this e-mail with family and friends. Leave a copy on the paint-splattered oak table next to works-in-progress. Line the rows of your flower beds with its pages, cover them with 2-3 inches of mulch and keep the weeds down. Slip a copy of the letter after scrawling the words ?WHAT NEXT?!? in red ink on it into the LP jacket of The Trumpet Child as a sort of extended warning label. And finally, loosely line the Victorian birdcage with these pages edge to edge and let the white doves crap all night long. PPPS: We?ve had a heck of a time trying to keep up with e-mail. Sorry we haven?t been able to respond personally to more of you. But pls write to us. We do read all the mail. We would love to know your thoughts/ideas as we kick off the next 20 years. The address is still: otrhine at aol.com PPPPS: To manage your subscription to the Over the Rhine newsletter please visit: http://overtherhine.com/mailman/listinfo/otrannounce_overtherhine.com Or, to unsubscribe via email, send a blank message to: otrannounce_overtherhine.com-leave at overtherhine.com From otrannounce at overtherhine.com Thu Apr 29 14:49:54 2010 From: otrannounce at overtherhine.com (Announcement list for the band Over The Rhine) Date: Thu, 29 Apr 2010 14:49:54 -0400 Subject: [OTR Announce] Over the Rhine: Let's Make A Record Update Message-ID: <8CCB5E3E4814A24-2804-1CFE@Webmail-m115.sysops.aol.com> Hello again friends, We?re sitting here in a coffeehouse on a spring day in Evanston, IL, next to the campus of Northwestern, a fresh breeze blowing in off the lake. You can feel the energy of the university in the air. I think I would have thrived in a university environment. But I chose the life of the writer and performer and despite the accompanying craziness it?s a good fit. I am where I belong. (And besides, we get to visit?) Last night we were trading stories again with Lucy Wainwright Roche ? a born storyteller. Yes, this life does get in your blood. Well, where do I begin? Not quite a week ago we announced that we were going to start recording the next Over the Rhine project in South Pasadena, CA, this May 17, with producer Joe Henry. We asked if there were any of you who had found our music who might be willing to partner directly with us on this next chapter. We had the idea that maybe we could make this new Over the Rhine record together?a record that we can?t quite imagine. Oh my goodness. The outpouring of your support has been truly inspiring. Thank you, thank you, thank you. Thank you for your letters, notes, stories, asides. Thank you for your generosity of spirit. We have laughed and cried. I wish we could respond personally to all of you. But we are so glad we?ve found each other. It?s a tired word, but probably the right one: We are blessed. If you?d like to take a peek at some of those who have contributed so far, check this out: http://www.overtherhine.com/makearecord.php We?ll do our best to update the list every few days! We are going to book flights. Our friend Michael Wilson is planning to come along for a few days and make photographs of the proceedings. Let?s make a record indeed. There is still time for anyone interested to be part of this unfolding adventure. There are still tickets available to the special concerts we?ve planned. Swing by www.overtherhine.com to check it out if you?re curious! Finally, (I mentioned this in my last letter and some of you have been asking) to help make this next chapter possible, Karin and I are selling some of the vintage musical instruments and recording gear that we?ve collected over the years including: +Our first Hammond Organ and Leslie (Films For Radio, OHIO etc) +Our antique Estey Pump Organ (The Darkest Night of the Year) +Our funky Vox Super-Continental Organ (OHIO: When You Say Love) +Our Maestro Echoplex (Films For Radio, The Cutting Room Floor et al) +Our Baldwin Acrosonic Spinet Piano (We bought it because we wanted a piano that sounded like the one John Lennon used to record Imagine. This piano showed up on some of my solo projects, and I wrote the new song Oh Yeah By The Way on it?) +Our old ADAT Recorders (used to record Good Dog Bad Dog, Films For Radio et al, viva 1990?s) +Our vintage drum machines +And lots of odds and ends including some of the keyboards that we?ve toured with over the years, miscellaneous studio tidbits? We?ve enjoyed the above. It?s time to let them go and let someone else enjoy them for awhile. You can read some of the anecdotes I wrote about the above if you?re interested. A little bit of OtR recording history? It?s a veritable vintage pink elephant sale. Takes me back to my Hartville, OH, flea market days. Here is the auction already in progress: http://shop.ebay.com/plunderpot/m.html Well, it?s night two at SPACE in Evanston this evening. Then St. Louis. Then Ft. Wayne. Then home to the farm to prepare for recording. So good to have you along for the ride. Peace like a river, Linford and Karin/Over the Rhine PS: Pls share this letter freely as you see fit. PPS: To manage your subscription to the Over the Rhine newsletter please visit: http://overtherhine.com/mailman/listinfo/otrannounce_overtherhine.com Or, to unsubscribe via email, send a blank message to: otrannounce_overtherhine.com-leave at overtherhine.com From otrannounce at overtherhine.com Fri May 14 16:02:08 2010 From: otrannounce at overtherhine.com (Announcement list for the band Over The Rhine) Date: Fri, 14 May 2010 16:02:08 -0400 Subject: [OTR Announce] Let's Make A Record Message-ID: <8CCC1B77809A448-1418-31EA@webmail-d042.sysops.aol.com> Hello from Ohio, The coffee is made and goes down dark and smooth on a cool gray Spring morning. The dogs are outside. (We had never seen this before but they actually treed a groundhog yesterday. He was about 25 feet up a black locust tree when I came out to see what the ruckus was about, the cattle dog singing a triumphant falsetto.) Karin?s hummingbirds have returned to her back porch feeder. She says the sound of the first thrum always ?sends an electric shiver of joy from the soles of her feet right up to the top of her head.? The male goldfinches are positively exotic their colors are so bright. Tiny Ohio jungle birds? The barn swallows are back. They winter as far south as Argentina and can fly up to 600 miles a day. I think they are my personal favorites right now. There is so much joy in their flying as they dart waist-high above the fields, making what the Audubon book calls ?a constant liquid twittering?? The bobwhite quail have moved in close for nesting. They call more or less constantly, and if we whistle a ?Bob-white?? from the porch, they always call back. They never give up ? we always stop after awhile and the conversation ends with them having the last word. I?m told the bobwhites like to nest where there are dogs around because the dogs keep some of the natural predators away. A mourning dove is sitting on her nest. She selected a precarious hidden place where a few blooming blackberry canes meet. When it comes to nest building, the doves are masters of flimsiness. It?s always amazing to me that of all the particular places on earth, birds raise their young every year right here in the wild corners of our little farm-in-progress. This is their home too. My father encouraged us to leave the edges of things wild. He was the one who taught us how to get the bobwhites to answer back. My father moved our family a lot back in the day, and he always got his birdhouses up pronto. My sister Grace and I were processing our childhood one time and this little couplet showed up: All the places we had to roam, Just to give a bluebird a home. After I wrote his obituary, after we buried my father, after we said goodbye to Amish relatives I hadn?t seen in years, Karin and I came back to the farm, and a strange and lovely mockingbird arrived and followed us around for a number of weeks, singing constantly. We had never had a mockingbird here before. He beckoned in the mornings outside our bedroom window. He sang in our apple tree. He sang near the fire pit where we like to gather on summer evenings. He followed Elroy and I on our walks. It?s hard to be sad when a mockingbird follows you around singing. The music felt like a sacrament of comfort, some small heaven-sent gift. I don?t know why I?m telling you this. I ?m drinking my morning coffee and sat down to write you. Tomorrow Karin and I are flying west to sing and capture some songs of our own. We finished the last song (Ohio?s last demo) and sent it off Tuesday and our producer, Joe Henry, has now helped narrow the field to the 14 that we?ll gather ?round and play for this new project. But he warned us that after we dive in we may be surprised and other songs may raise their hands unexpectedly. It will all be revealed. (A quick aside, Mr. Henry has been a wonderful ally and foil and newfound friend during this process. We are excited for you to hear the brand new song we co-wrote with Joe, and look forward to more collaboration.) Three weeks ago we invited you, the people who had found our music and given it a life (those of you who have invited the songs to follow you around) to partner with us in making this new Over the Rhine record. I don?t think Karin and I are exaggerating when we say we have never quite experienced the gift of community on this level before. Karin and I have been working to move to a place in our lives where we can live debt-free, but now I realize this will not be possible. We will always carry a debt of gratitude to our extended musical family. You all stepped forward and completely paid for this new recording ? all recording costs, studio costs, musicians, mastering ? and we haven?t even recorded a single note yet. Your generosity has allowed us to completely immerse ourselves in our writing lives these last few weeks as we finished all the songs and made final preparations to begin recording this Monday, May 17. We will say thank you by making the most beautiful, meaningful record we are capable of making. The exciting thing: I still don?t know what it?s going to sound like! I think we will all be surprised. We are going to continue our fundraising campaign through June 26, the date of the special Good Dog show we have planned with Ric and Brian. Any additional money that we are able to raise will go toward the accompanying artwork (vinyl too!) and the various costs that go along with putting a record out into the world, giving it a good first day at school, letting people know it actually exists: manufacturing, marketing, assembling the right team, preparing to tour etc. We will do all we can to give this music (our record/your record) the best life it can have. But friends, the music is paid for. We are feeling inspired, humbled, empowered and loved. And we thank you. It?s time to pack the suitcases. Let?s make a record. Love from nowhere, Linford and Karin